The Oppression of Miranda in The Tempest Essay -- Tempest essays

The oppressiveness of Miranda in The storm Mirandas schooling in The Tempest shows the audience the conflicting arrangement white women in the Shakespearean drama as well as Shakespearean times are forced to bend within. Paul Brown points out that the address of sex activityoffers the crucial nexus for the various domains of colonialist discourse (208) and the conduct in Prospero manipulates his followers sexuality is the mainstay of his power. The Miranda-Prospero relationship servers to hold a sort of patriarchy, which is unarguably the system numerous Renaissance women and women of Shakespeares time found themselves in. It is thus unsurprising that Prospero controls Miranda and her sexuality as well. The system of patriarchy is demonstratd again and again throughout the play. For example, we see that Prosperos wisdom, magic, and education of Miranda, as well as his civilizing of Caliban demonstrates a system of authoritative love. There is no question that Prospero love s and wishes to protect his miss for example, Prospero continuously reiterates how much he cares for Miranda. However, at the very(prenominal) time, he exhibits enough power over her to be considered a patriarch. Prosperos authority over Miranda is so immense that she cannot do anything but follow her fathers wishes it almost appears as if she has no choice in the matter for she, like Ariel and Caliban, can also be subject to Prosperos magic control. However, it appears that upon a closer study of this, we see that, patriarchalism makes specific, and ofttimes apparently contradictory demands of its own women, which can often cause confusion and problems for the woman involved. Miranda, as a character in Renaissanc... ... Prospero Twelve year since, Miranda, xii year since, Thy father was Duke of Milan and A prince of power. Miranda Sir, are not you my father? Prospero Thy mother was a piece of virtue, and She verbalize thou wast my daughter and thy father Was Duke of M ilan, and his only heritor And princess no worse issued. Works Cited Brown, Paul. This thing of darkness I acknowledge mine The Tempest and thediscourse of colonialism. New York Dollimore and Sinfield, 1985. Kermode, Jack. Political Shakespeaere New Essays in pagan Materialism. BostonManchester University Press, 1985. Lamming, George. The Pleasures of Exile. London Allison and Busby, 1984. Mies, Maria. Patriarchy and Accumulation on a World Scale. London Zed Books,1986. The Oppression of Miranda in The Tempest Essay -- Tempest essaysThe Oppression of Miranda in The Tempest Mirandas schooling in The Tempest shows the audience the conflicting arrangement white women in the Shakespearean drama as well as Shakespearean times are forced to act within. Paul Brown points out that the discourse of sexualityoffers the crucial nexus for the various domains of colonialist discourse (208) and the conduct in Prospero manipulates his followers sexuality is the mainstay of his power. The Miranda-Prospero relationship servers to represent a sort of patriarchy, which is unarguably the system many Renaissance women and women of Shakespeares time found themselves in. It is thus unsurprising that Prospero controls Miranda and her sexuality as well. The system of patriarchy is demonstratd again and again throughout the play. For example, we see that Prosperos wisdom, magic, and education of Miranda, as well as his civilizing of Caliban demonstrates a system of authoritative love. There is no question that Prospero loves and wishes to protect his daughter for example, Prospero continuously reiterates how much he cares for Miranda. However, at the same time, he exhibits enough power over her to be considered a patriarch. Prosperos authority over Miranda is so great that she cannot do anything but follow her fathers wishes it almost appears as if she has no choice in the matter for she, like Ariel and Caliban, can also be subject to Prosperos magical control. However, it appears that upon a closer study of this, we see that, patriarchalism makes specific, and often apparently contradictory demands of its own women, which can often cause confusion and problems for the woman involved. Miranda, as a character in Renaissanc... ... Prospero Twelve year since, Miranda, twelve year since, Thy father was Duke of Milan and A prince of power. Miranda Sir, are not you my father? Prospero Thy mother was a piece of virtue, and She said thou wast my daughter and thy father Was Duke of Milan, and his only heir And princess no worse issued. Works Cited Brown, Paul. This thing of darkness I acknowledge mine The Tempest and thediscourse of colonialism. New York Dollimore and Sinfield, 1985. Kermode, Jack. Political Shakespeaere New Essays in Cultural Materialism. BostonManchester University Press, 1985. Lamming, George. The Pleasures of Exile. London Allison and Busby, 1984. Mies, Maria. Patriarchy and Accumulation on a World Scale. London Zed B ooks,1986.